Reviews
- 
				
					
						
							
								‘Spinal Tap II’ Review: The Band Is Older, Kind of Wiser and Still at 11If the mockurockumentary sequel doesn’t tap into gold, at least it’s (Centrum) silver 
- 
				
					
						
							
								‘The Fence’ Review: Claire Denis’ Latest Film Is a Consuming Drama About DeathTIFF 2025: Isaach De Bankolé gives a typically excellent performance even when the film is not Denis’ best 
- 
				
					
						
							
								‘Downton Abbey: The Grand Finale’ Review: A Perfectly Pleasant Show Gets a Perfectly Pleasant Send-OffOf the three features, the final installment feels most in line with the TV series 
- 
				
					
						
							
								‘A Simple Soldier’ Review: A Fascinating, Fraught Documentary About the Ukraine WarTIFF 2025: Filmmaker Artem Ryzhykov becomes an active participant in this grim portrait of the ongoing war 
- 
				
					
						
							
								‘Swiped’ Review: Lily James Can’t Make This Shallow Dating App Saga Into ‘The Social Network’TIFF 2025: Though it’s plenty sincere, there’s no greater depth to this film about the creation of Tinder and Bumble 
- 
				
					
						
							
								‘Love+War’ Review: Harsh Realities of War and Family Center an Enlightening DocumentaryTIFF 2025: “Free Solo” directors Elizabeth Chai Vasarhely and Jimmy Chin’s latest presents the two worlds that make up photojournalist Lynsey Addario’s existence 
- 
				
					
						
							
								‘House of McQueen’ Off Broadway Review: Luke Newton Triumphs Against All OddsThe “Bridgerton” star manages to present a beguiling Alexander McQueen in Darrah Cloud’s mess of a bioplay 
- 
				
					
						
							
								‘Blue Heron’ Review: Sophy Romvari’s Astonishing Feature Debut Is a Riveting Reflection on Memory and RegretTIFF 2025: The film is both rigorously detailed and enduringly compassionate 
- 
				
					
						
							
								‘Dust Bunny’ Review: Bryan Fuller’s Family Horror Flick Is Wild, Colorful and Just Plain NutsToronto Film Festival: Mads Mikkelsen and Sigourney Weaver are the big names, but 10-year-old Sophie Sloan runs the show 
- 
				
					
						
							
								‘Nuremberg’ Review: Rami Malek and Russell Crowe Lead Thrilling Nazi Courtroom DramaTIFF 2025: Writer-director James Vanderbilt trades in horror comedies for a historical account of the lengths it took to bring war criminals to justice 
- 
				
					
						
							
								‘Eternity’ Review: Miles Teller, Elizabeth Olsen and Callum Turner Are Stuck in a Hysterical, Poignant Other-Worldly ThreesomeTIFF 2025: An ensemble of actors makes life after death feel grounded and affecting in this fantasy rom-com 
- 
				
					
						
							
								‘Normal’ Review: Bob Odenkirk Has a Bloody Blast in ‘Die Hard’ Meets ‘Fargo’ Action RompTIFF 2025: Ben Wheatley’s latest has a whole lot of fun smashing everything together and keeping us on our toes 
- 
				
					
						
							
								‘Bad Apples’ Review: Saoirse Ronan Schools Us in Daring, Darkly Funny Satirical ThrillerToronto Film Festival: Ronan gives one of her best, funniest performances to date in Jonatan Etzler’s stellar second feature 
- 
				
					
						
							
								‘The Christophers’ Review: Steven Soderbergh’s Chamber Drama Is a Riveting Meditation on ArtTIFF 2025: Ian McKellen and Michaela Coel are a compelling duo in this story of forgery, art and legacy 
- 
				
					
						
							
								‘Black Rabbit’ Review: Jason Bateman and Jude Law Are Mismatched Brothers in Netflix’s Disappointing Crime SeriesThe duo headline a handsome but unconvincing thriller set in gritty New York City 














